Wednesday, November 23, 2011

OtR 17/11/2011

One strange thing about the concert was this. Well, perhaps not strange but at the very least unexpected, was that it left me desiring to be a better person. I wanted to leave the venue and get up earlier, run, love my family and friends more wholly, and live life deeply.

Not that it should have been a surprise. Those themes are buried in many of their songs.

What a beautiful piece of heartache this has all turned out to be.
Lord knows we’ve learned the hard way all about healthy apathy.
And I use these words pretty loosely.
There’s so much more to life than words.

There is a me you would not recognize, dear. Call it the shadow of myself.
And if the music starts before I get there dance without me. You dance so gracefully.
I really think I’ll be o.k. They’ve taken their toll these latter days.

Nothin’ like sleepin’ on a bed of nails. Nothin’ much here but our broken dreams.
Ah, but baby if all else fails, nothin’ is ever quite what it seems.
And I’m dyin’ inside to leave you with more than just cliches.

There is a me you would not recognize, dear. Call it the shadow of myself.
And if the music starts before I get there dance without me. You dance so gracefully.
I really think I’ll be o.k. They’ve taken their toll these latter days.

But tell them it’s real. Tell them it’s really real.
I just don’t have much left to say.
They’ve taken their toll these latter days.
They’ve taken their toll these latter days.


Latter Days. Good Dog, Bad Dog. Over the Rhine

Friday, November 18, 2011

Notes from Tonight's Concert


Over the Rhine Setlist: 17 November 2011
  • Come on Boy! (The Laugh of Recognition)
  • Rave On
  • Undammed
  • The King Knows How
  • Suitcase
  • I'm on a Roll
  • Infamous Love Song
  • Only God Can Save Us Now "A head on collision between comedy and tragedy"
  • Latter Days "I'm glad I was there at the piano when it came down the wire"
  • Untitled New Song
  • Jesus in New Orleans
  • Trouble
  • All My Favorite People with Leaning on the Everlasting Arms (Instrumental)
Encore
  • Hallelujah
  • Born
  • Drunkard's Prayer

I am so glad I was able to attend this concert. They were simply beautiful, the backing band complemented and interpreted the songs so well (amazing harmonica playing) and I was left hoping that they would just keep playing all night.
The opening act, The Milk Carton Kids, were full of dry wit and songs far deeper than I expected. They sang songs that sounded like a person who has fled but knows that the place that he fled to is hollow compared with what was left behind.



4:42 P.M. is a very happy minute.